1.Addictive drums does have a similar window. You now have a Channel Editor that looks like Fig. You usually want the bass frequencies centered, so we’ll forego a split in the lowest-frequency split. Add a Dual Pan processor to the four high-frequency splits.The defaults split frequencies are fine, at least for now. Choose 5 splits, and Frequency Split for the Split Mode.
Now we can start playing with the stereo imaging. So, set the track’s Channel Mode to stereo, and bounce the track to itself (Ctrl+B) to convert it into a dual mono (i.e., stereo, but with the same audio in the left and right channels). To create a stereo image, we first need need to convert this to a stereo track. This example assumes a mono, distorted guitar track, like what you’d obtain by using a single mic on an amp. And of course, if you scroll to the end there’s a downloadable FX Chain, so you can start playing with this immediately. The Stereo Separator is particularly effective with power chords and rhythm guitar, especially as an alternative to layering parts in search of a “bigger” sound-you can obtain a stereo spread with a single track, so the sound is more defined compared to using multiple layers.
I’ve even used it to create a subtle, artificial stereo image from old mono records. This tip takes the process even further-it’s versatile, relatively simple, easily customizable, and also, has no phase issues when collapsed to mono. Delay-Free Stereo from Mono used two Multiband Dynamics, set for no compression, to separate the audio into bands that you could then pan left or right. Widen Your Mono Guitar-Sans Problems used delay, but in a way that minimized phase issues. A couple previous tips dealt with how to give mono instruments, like guitar, a stereo image that won’t degrade when collapsed to mono.
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